Music History

The varied music from antiquity to the present century has not only known for the quantity but basically for raising new legal ground in relation to work and reality, reality in every sense of the concept. The composer is more involved in various stages of the final product, from the genesis acoustic sound to certain conditions and often aesthetic of the concert hall.

Man and music begin to melt, identified increasingly becoming the whole, usually fully become a phenomenon particular, non-repeatable. Within this intimate merger is the performer who will be responsible for decisions that foreclose on the finish.

One argument that prevails throughout the twentieth century: "Free thinking". The composer is no longer willing to abide by rules scholastic; not mean that systematically fails, only given the time to review and discuss them, thereby breaking the atavistic psychological pressure that occurs on any school subject 'structured and immovable '.

Clearly, the twentieth century put an end to the hegemony of functionalism of Rameau. Of course we can find antecedents in the nineteenth century but it will not be strong enough to undertake such a venture.

In return, the public is much more alienated from the new aesthetic-philosophical currents but can be expected, over the years, a gradual approach to strengthen this vital four music players. The work we are presenting, we propose a sensible way for the 'understanding' of the History of Music, written in teaching style, almost conversational, without sacrificing the technical elements will be of great help for those who want a reasoned and effective approach a phenomenon which we participate necessary but not entirely aware of its importance and magnitude.

I hope my research contributes to the formation of historical knowledge of the melody of the music.

Definition of Music

Combination of sounds pleasant to the ear. Art of combining the sounds of human voices or instruments. Musical composition.

Art of combining sounds and silences, over time, producing a sound pattern that transmits sensations pleasant to the ear, through which it is intended to express or communicate a state of mind.

Etymology

The etymology comes from the word MUSA, ancient Greek language that referred a group of female mythical characters that inspired the artists. The Muses had the mission to entertain the gods under the leadership of Apollo. Indeed, Apollo was the leader of the muses, he headed to entertain the gods in foods.